DOUBLE ENTRY
Double Entry is a conceptual poster promoting a multi-sensory installation that explores themes of reflection, duality, and perception. Inspired by mirrored spaces and split-time experiences, the project investigates how opposing perspectives can challenge our understanding of what is real.
The visual system relies on mirrored compositions, contrasting imagery, and expressive typography to create tension between symmetry and distortion. By balancing opposing elements within a unified composition, the poster invites viewers to question the relationship between reality and perception while capturing the immersive nature of the installation.
Type
Personal Project
Work
Poster Design, Typography, Editorial Design, Print Design, Art Direction.
DOUBLE ENTRY Double Entry is a conceptual poster promoting a multi-sensory installation that explores themes of reflection, duality, and perception. Inspired by mirrored spaces and split-time experiences, the project investigates how opposing perspectives can challenge our understanding of what is real.
The visual system relies on mirrored compositions, contrasting imagery, and expressive typography to create tension between symmetry and distortion. By balancing opposing elements within a unified composition, the poster invites viewers to question the relationship between reality and perception while capturing the immersive nature of the installation.
Type
Personal Project
Work
Poster Design, Typography, Editorial Design, Print Design, Art Direction
An experimental component of the project focused on typographic exploration inspired by Exercises in Style by Raymond Queneau. After analyzing different stylistic variations of the same simple narrative, I was assigned “Double Entry,” a version that exaggerates redundancy and repetition to alter tone and meaning. Through varying type applications, layout structures, and format shifts, I translated this concept visually using duplication, symmetry, and layered compositions to reflect how style itself transforms perception.